Philip the Good

Philip the Good
Philip the Good, wearing the collar of firesteels of the Order of the Golden Fleece he instituted, after a Roger van der Weyden of c.1450
Duke of Burgundy, Brabant, Limburg, Lothier and Luxembourg, Margrave of Namur, Count of Artois, Flanders, Hainault, Holland and Zeeland, Count Palatine of Burgundy
Reign 10 September 1419–15 June 1467
Predecessor John the Fearless
Successor Charles the Bold
Spouse Michelle of Valois
Bonne of Artois
Isabella of Portugal
Issue
Charles the Bold
House House of Valois-Burgundy
Father John the Fearless
Mother Margaret of Bavaria
Born 31 July 1396
Dijon, Burgundy
Died 15 June 1467 (aged 70)
Bruges, Flanders
Burial Dijon, Burgundy

Philip the Good (French: Philippe le Bon), also Philip III, Duke of Burgundy (July 31, 1396 – June 15, 1467) was Duke of Burgundy from 1419 until his death. He was a member of a cadet line of the Valois dynasty (the then Royal family of France). During his reign Burgundy reached the height of its prosperity and prestige and became a leading center of the arts. Philip is known in history for his administrative reforms, patronage of Flemish artists such as Jan van Eyck, and the capture of Joan of Arc. During his reign he alternated between English and French alliances in an attempt to improve his dynasty's position.

Contents

Family and early life

Coat of arms of Philip the Good (after 1430).

Born in Dijon, he was the son of John the Fearless and Margaret of Bavaria-Straubing. On 28 January 1405, he was named Count of Charolais in appanage of his father and probably on the same day he was engaged to Michele of Valois (1395–1422), daughter of Charles VI of France and Isabeau of Bavaria. They were married in June 1409.

Philip subsequently married Bonne of Artois (1393–1425), daughter of Philip of Artois, Count of Eu, and also the widow of his uncle, Philip II, Count of Nevers, in Moulins-les-Engelbert on November 30, 1424. The latter is sometimes confused with Philip's biological aunt, also named Bonne (sister of John the Fearless, lived 1379 - 1399), in part due to the Papal Dispensation required for the marriage which made no distinction between a marital aunt and a biological aunt.

His third marriage, in Bruges on January 7, 1430 to Isabella of Portugal (1397 - December 17, 1471), daughter of John I of Portugal and Philippa of Lancaster, produced three sons:

Philip also had some eighteen illegitimate children, including Antoine, bastard of Burgundy, by twenty-four documented mistresses [1]. Another, Philip of Burgundy (1464–1524), bishop of Utrecht, was a fine amateur artist, and the subject of a biography in 1529.

Early rule and alliance with England

Statue of Philip the Good, in the Ducal Palace at Dijon

Philip became duke of Burgundy, count of Flanders, Artois and Franche-Comté when his father was assassinated in 1419. Philip accused Charles, the Dauphin of France and Philip's brother-in-law of planning the murder of his father which had taken place during a meeting between the two at Montereau, and so he continued to prosecute the civil war between the Burgundians and Armagnacs. In 1420 Philip allied himself with Henry V of England under the Treaty of Troyes. In 1423 the alliance was strengthened by the marriage of his sister Anne to John, Duke of Bedford, regent for Henry VI of England.

In 1430 Philip's troops captured Joan of Arc at Compiègne and later handed her over to the English who orchestrated a heresy trial against her, conducted by pro-Burgundian clerics. Despite this action against Joan of Arc, Philip's alliance with England was broken in 1435 when Philip signed the Treaty of Arras (which completely revoked the Treaty of Troyes) and thus recognised Charles VII as king of France. Philip signed for a variety of reasons, one of which may have been a desire to be recognised as the Premier Duke in France. Philip then attacked Calais, but this alliance with Charles was broken in 1439, with Philip supporting the revolt of the French nobles the following year (an event known as the Praguerie) and sheltering the Dauphin Louis.

Geographic expansion

Philip generally was preoccupied with matters in his own territories and seldom was directly involved in the Hundred Years' War, although he did play a role during a number of periods such as the campaign against Compiegne during which his troops captured Joan of Arc. He incorporated Namur into Burgundian territory in 1429 (March 1, by purchase from John III, Marquis of Namur), Hainault and Holland, Frisia and Zealand in 1432 (with the defeat of Countess Jacqueline in the last episode of the Hook and Cod wars); inherited the Duchies of Brabant and Limburg and the margrave of Antwerp in 1430 (on the death of his cousin Philip of Saint-Pol); and purchased Luxembourg in 1443 from Elisabeth of Bohemia, Duchess of Luxembourg. Philip also managed to ensure his illegitimate son, David, was elected Bishop of Utrecht in 1456. It is not surprising that in 1435, Philip began to style himself "Grand Duke of the West".

In 1463 Philip returned some of his territory to Louis XI. That year he also created an Estates-General based on the French model. The first meeting of the Estates-General was to obtain a loan for a war against France and to ensure support for the succession of his son, Charles I, to his dominions. Philip died in Bruges in 1467.

Court life and patron of the arts

Rogier van der Weyden miniature 1447-8. Philip dresses his best, in an extravagant chaperon, to be presented with a History of Hainault by the author, flanked by his son and Nicolas Rolin.
Portrait of Michelle of Valois or Isabella of Portugal, first and third wives of Philip.

Philip's court can only be described as extravagant. Despite the flourishing bourgeois culture of Burgundy, which the court kept in close touch with, he and the aristocrats who formed most of his inner circle retained a world-view dominated by knightly chivalry. He declined membership in the English Order of the Garter in 1422, which could have been considered an act of treason against the King of France, his feudal overlord. Instead in 1430 he created his own Order of the Golden Fleece, based on the Knights of the Round Table and the myth of Jason.

He had no fixed capital and moved the court between various palaces, the main urban ones being Brussels, Bruges, or Lille. He held grand feasts and other festivities, and the knights of his Order frequently travelled throughout his territory participating in tournaments. In 1454 Philip planned a crusade against the Ottoman Empire, launching it at the Feast of the Pheasant, but this plan never materialized. In a period from 1444-6 he is estimated to have spent a sum equivalent to 2% of Burgundy's main tax income over the period, the recette génerale, with a single Italian supplier of silk and cloth of gold, Giovanni di Arrigo Arnolfini.[1]

His court was regarded as the most splendid in Europe, and became the accepted leader of taste and fashion, which probably helped the Burgundian economy considerably, as Burgundian (usually Netherlandish) luxury products became sought by the elites of other parts of Europe. During his reign, for example, the richest English commissioners of illuminated manuscripts moved away from English and Parisian products to those of the Netherlands, as did other foreign buyers. Philip himself is estimated to have added six hundred manuscripts to the ducal collection, making him by a considerable margin the most important patron of the period.[2] Jean Miélot was one of his secretaries, translating into French such works as Giovanni Bocaccio's Genealogia Deorum Gentilium.

Isabella of Portugal by Roger van der Weyden

Philip was also a considerable patron of other arts, commissioning many tapestries (which he tended to prefer over paintings), pieces from goldsmiths, jewellery, and other works of art. It was during his reign that the Burgundian chapel became the musical center of Europe, with the activity of the Burgundian School of composers and singers. Gilles Binchois, Robert Morton, and later Guillaume Dufay, the most famous composer of the 15th century, were all part of Philip's court chapel.

In 1428 Jan van Eyck traveled to Portugal to paint a portrait of King John I's daughter Infanta Isabella for Philip in advance of their marriage. With help from more experienced Portuguese shipbuilders Philip established a shipyard in Bruges. Roger van der Weyden painted his portrait twice on panel, of which only copies survive, wearing the collar of the Order of the Golden Fleece. The only original van der Weyden of Philip to survive is a superb miniature from a manuscript (above left).[2]. The painter Hugo van der Goes, of the Flemish school, is credited with creating paintings for the church where Philip's funeral was held.

Ancestors


Duchy of Burgundy-
House of Valois, Burgundian Branch
Blason comte fr Touraine.svg
John the Good
Children
   Charles V of France
   Louis I of Anjou
   John, Duke of Berry
   Philip the Bold
Philip the Bold
Children
   John the Fearless
   Margaret of Burgundy, Duchess of Bavaria
   Catherine of Burgundy
   Anthony, Duke of Brabant
   Mary, Duchess of Savoy
   Philip, Count of Nevers
John the Fearless
Children
   Mary of Burgundy, Duchess of Cleves
   Margaret, Countess of Richemont
   Philip the Good
   Anne of Burgundy
   Agnes of Burgundy
Philip the Good
Children
   Charles the Bold
   Anthony the Bastard
Charles the Bold
Children
   Mary of Burgundy
Mary of Burgundy
Philip's ancestors in three generations
Philip the Good Father:
John the Fearless
Paternal Grandfather:
Philip the Bold
Paternal Great-grandfather:
John II of France
Paternal Great-grandmother:
Bonne of Bohemia
Paternal Grandmother:
Margaret III, Countess of Flanders
Paternal Great-grandfather:
Louis II of Flanders
Paternal Great-grandmother:
Margaret of Brabant
Mother:
Margaret of Bavaria
Maternal Grandfather:
Albert I, Duke of Bavaria
Maternal Great-grandfather:
Louis IV, Holy Roman Emperor
Maternal Great-grandmother:
Margaret, Countess of Hainaut
Maternal Grandmother:
Margaret of Brieg
Maternal Great-grandfather:
Ludwik I the Fair
Maternal Great-grandmother:
Agnes of Glogau

Titles

In popular culture

Philip appears as an unplayable character in Koei's video game Bladestorm: The Hundred Years' War, in which he is the right-hand man of Joan of Arc

References

  1. National Gallery Catalogues: The Fifteenth Century Netherlandish Paintings by Lorne Campbell, 1998, ISBN 185709171
  2. 2.0 2.1 T Kren & S McKendrick (eds), Illuminating the Renaissance - The Triumph of Flemish Manuscript Painting in Europe, Getty Museum / Royal Academy of Arts, 2003, p. 68, ISBN 19033973287

External links

See also

Philip the Good
House of Valois-Burgundy
Cadet branch of the House of Valois
Born: 31 July 1396 Died: 15 June 1467
Preceded by
John the Fearless
Duke of Burgundy Blason fr Bourgogne.svg
10 September 1419 – 15 July 1467
Succeeded by
Charles the Bold
Count of Artois Artois Arms.svg and Flanders Blason Comte-de-Flandre.svg, Count Palatine of Burgundy Blason comte fr Nevers.svg
10 September 1419 – 15 July 1467
Preceded by
John of Dampierre
Margrave of Namur Namur Arms.svg
1 March 1429 – 15 July 1467
Preceded by
Philip of Saint Pol
Duke of Brabant, Limburg and Lothier
14 August 1430 – 15 July 1467
Preceded by
Jacqueline of Bavaria
Count of Hainaut Hainaut Modern Arms.svg, Holland Counts of Holland Arms.svg and Zeeland Coatofarmszeeland.PNG
April 1432 – 15 July 1467
Preceded by
Elisabeth of Görlitz
Duke of Luxemburg Luxembourg Old Arms.svg
1443 – 15 July 1467
Preceded by
John the Fearless
Count of Charolais Blason Charolais.svg
28 January 1405 – January 1431;
5 February 1432 – April 1432;
August 1432 – November 1433
Succeeded by
Anthony
Preceded by
Anthony
Succeeded by
Joseph
Preceded by
Joseph
Succeeded by
Charles the Bold